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Page perso. Musik Aus Uganda B. U Retro Media has built its repu The Shop operates al SOJY makindye, Kampala. Ndongo Entertainment Makerere Kampala , Kampala. Soon we extended our work beyond the field of education, and beyond Forum Theater as the only Verified Phone E-mail Map Photos 4. Following years of fighting digital piracy in legal battles, the Ugandan mu Ryl sounds p. Providers of good quality music address systems for all types of parties ranging from weddings, introductions, kuhingira, graduations ,birthday parties and many others..
Verified Phone E-mail Map Website. Christopher Sebaduka George Kakoma Samuel Baligide Senoga Zake Benny Kalanzi Minsusela Segamwenge Evaristo Muyinda Christopher Kiiza Herbert sempeke Geofrey Oryema Sarah Birungi Fred Mbalire Alex Mukulu Annet nandujja Hope Mukasa Dede Majoro, Steven Nsubuga Maddoxx Ssemanda Sematimba Isaac Rucci Denis Ssepebwa Paul Mutebi Samite Mulondo Tshaka Mayanja Fiona Mukasa Lou Bega Henry katamba Clever J Mad Ice Tool Man Angella Katatumba Queen Bella Grace Nakalema Essence Kasozi Zani Lady Mariam Tonix Ray Signature Michael Kiwanuka Evon Herbert Kinobe Esther Nabaasa Davis Hillary Ntaale Benezeeri Joel ssebunjo Saba Saba Tshila Don Canta Angella Kalule Winnie Munyenga Priscilla Kalibala Sophie Gombya Sam Gombya Sheila Nvanungi Jimmy Okoth aka Oulanya Colombus Suzan Kerunen Emron Viboyo Oweyo Ak Big Tril Julie Mutesasira Bigg Eye Renah Nalumansi David Lutalo Jamal Wasswa Herman Basudde was a very popular kadongo kamu musician in the s and s.
So was Bernard Kabanda. Dan Mugula is one of the few surviving pioneers of the genre. Fred Sebatta and Paulo Kafeero made their mark in the s. Today, the genre is marginalized in favor of more recent styles of music. But because the music is loved by cultural loyalists in the buganda region, it is certain that there will always be an audience for kadongo kamu. Uganda has had many artists who have been on top of their game with either one or two big songs.
According to DJ Erycom, one of Uganda's popular veteran DJs and digital music promoter of this generation, below are the biggest Ugandan songs that crossed borders and topped charts. These songs still sound fresh whenever you listen to them:.
Kidandali is a music genre that currently is arguably the most popular genre of music in Uganda. However, the term "kidandali" is not universally agreed on as the name of this genre with some local sources preferring instead to use the very simplistic term "Band Music" while others prefer the term Afrobeat , even though the music shares no similarities with Afrobeat. The roots of this genre can be traced back to the bands that sprung up after Uganda got independence in The Cranes Band, which later gave birth to Afrigo Band , can be regarded as the first group in the evolution process of this genre.
At the very outset, their music was heavily influenced by Soukous and congolese artists like Franco were notable influences at the time. Jazz was also a notable influence. But Afrigo Band was the most prominent and most enduring, especially throughout the political unrest of the s to s. By the mid s Afrigo Band was still heavily influenced by Soukous music, which by then was dominant all over the African continent. Artists like Joanita Kawalya and Rachael Magoola were part of Afrigo Band and helped lay the foundation for modern day Kidandali, alongside other bands like Kaads Band.
The turning point, however, came with the formation of the record label Eagles Production which was responsible for producing artists like Mesach Semakula , Geoffrey Lutaaya , Ronald Mayinja and Haruna Mubiru.
These artists took the mantle from Afrigo Band and further developed the genre after the turn of the century. In the s, the genre became identified with the Eagles Production label. Another turning point was in when David Lutalo broke through with the hit song Kapapaala creating the way for the Urban Band genre to move beyond a genre that had for long been dominated by Eagles Production, Diamond Production, Kads Band, Backeys Band, Kats Production, The Hommies among others.
In the year , Uganda witnessed the birth of a new kind on the block, Abdu Mulaasi. With his mega country wide hit "Omusono Gwa Mungu", Abdu Mulaasi became a house hold name creating himself a place amongst the top artists in the country. Enkulu Tenywa was another big song that kept Abdu Mulaasi on top of his game. DJ Erycom, one of Uganda's legendary Deejays was the first deejay to play, promote and popularize Kadongokamu music across bars and happening places in and outside Uganda. About the same time, technology in audio production had enabled the genre to be reproduced digitally using Audio Workstations and the "band" element had all but disappeared.
Many other independent solo artists started to practice the genre. The genre is currently at the peak of its evolution with newer artists like Papa Cidy and Chris Evans helping create a dominant force that, alongside Dancehall, is the most popular stylistic genre in Uganda. Dancehall music in Uganda is modeled after Jamaican Dancehall. It is among the most influential styles of music in the Ugandan pop music industry.
The style of music is very similar to the Jamaican style and so like all imported genres, the only major difference is in language used. Although most dancehall artists will perform in their local language, in this case Luganda , many of them will every now and then try to mimic Jamaican patois. During the early to mid s when Uganda's pop industry was just beginning to be formed, the first international music to make an impression on Ugandan artists was the Raggamuffin music in Jamaica at the time.
The predominant beat that was used by these artists was the Dem Bow beat which was created by Shabba Ranks. This beat became the foundation on which all of Ugandan dancehall was to be built on later, just like it did with Reggaeton. In the late s new artists like Mega Dee and Emperor Orlando joined the fray.
But they didn't create any marked improvement in the quality and sound of the music they found, as it remained pretty simplistic and heavily based on Dem Bow. From then on, the quality of music became commensurate with the quality of production available. Chameleone was the first dancehall artist to try to fuse this ragga sound with other genres like Soukous and Kadongo Kamu. By around , there were a variety of musicians practicing the genre but also without much advancement in style or sound.
By this time, Jamaican dancehall had already taken a sharp turn away from the harsh "ragga" sound based on chatting over simplistic riddims and there was a new wave of dancehall deejays like Vybz Kartel and Busy Signal who were deejaying over more advanced riddims. Artists like Dr Hilderman came into the scene with new words like Double bed Mazongoto and have continued to grow. It is not until very recently that we have begun to also see new Ugandan artists like Rabadaba , Sizza and Fidempa create a more modern version of dancehall.
Ugandan dancehall artists have reaped big from the industry, many are industrious and live luxurious lives.
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