Spaced-out disco that survived the cull into obscurity, it stands out for the wild synth line that was way ahead of its time. A slo-mo affair that typified some of the post-disco tendency to strip back the glamour in favour of simpler constructions. An island disco bomb rescued a few years back by Soundway, the calypso groove and cosmic phazer is a killer combination that practically opened the whole world to the joys of Caribbean space disco. Mythical stuff.
Released by the legendary Vinylmania. Released in , both tracks, heavy with Afro-conscious lyrics about value and soul, are propelled by electro-funk throbs and squelches, pre-empting the rise of the machines in what remains some of the most invigorating dancefloor music ever made.
On her debut single, Lynn not only proved she had a cracking set of windpipes, but she also managed to pull off chart success in what is undoubtedly one of the defining tunes of the era. The former become a hit with Larry Levan, remixed on Nightdubbing the following year. Hammond stabs and tidal percussion carried this instrumental from DJ tool to peak time dance floor weapon.
A slo-mo disco anthem with the most yearning string arrangement of the decade. Patrice Rushen got her first record deal with the jazz label Prestige Records in , aged 20, releasing three albums on a fusion tip before moving over to Elektra to fully explore her funky side. Its insanely funky, minimal proto-house percussion and sleazy, double-entendre lyrics — Is it all over my face?
The perfect soundtrack for Saturday night on the floor, or for an acid trip indoors. Two tracks that prove Ron Hardy worked magic behind the decks and the reels. Pure fire. Philly Intl. Presumably licensing the track from Barclay who released the LP, Island Records are also represented by Wally Badarou who is credited on the sleeve. Original copies are extremely rare…. Ma-mako, ma-ma-sa, mako-mako ssa. This Philly classic regularly serviced the church of Garage.
An original edit pioneer, Hardy would tweak reel-to-reel tapes to extend breaks on disco tracks, maintaining pace on the floor and foreshadowing the birth of house. This single is going to change the sound of club music for the next fifteen years. A perfect example of the collector-hungry Discogs economy making a classic out of a cast-off.
DJ Harvey says so. The mighty calypsonian, Winston Bailey was Shadow, a cosmic reggae disco legend from Trinidad who cut a couple of serious synth-heavy bangers in the early eighties. An absolute monster of a track. Navigation menu Namespaces Page Talk. Views View Edit History. This page was last edited on 25 February , at Game content and materials are trademarks and copyrights of their respective publisher and its licensors.
All rights reserved. This site is a part of Fandom, Inc. About Minecraft Wiki Disclaimers Mobile view. Support Contact PRO. Music Disc Woodland mansion. Music Disc Cat. Music Disc Pigstep. Bastion remnant. Music Disc Mellohi. Buried treasure.
Music Disc Wait. A somewhat unsettling ambient track consisting mostly of cave sounds, metallic clinks, splashes, wind blowing, creeper explosion and muffled bow firings. Minecraft - Volume Alpha No. Minecraft - Volume Beta No. A calm, underwater-like, piece of serene music played on a kalimba along with other instruments.
A moderate jazz-like piece played on a piano, saxophone, and double bass, with playful recorder interludes "Derpy flute noises". A tropical-sounding piece with the main melody being played on a handpan and steel drum, accompanied by a glitchy electronic beat and ending on some melancholy melodica chords.
The record starts off with an excerpt from Chopin's Funeral March  played on synth organ but goes into an electronic, upbeat, exploration and adventure tune with a dark undertone. A deeply unsettling disc; the recording seems to be of a person running across or maybe breaking different block types and later on stopping to use equipment of some kind, coughing, and then continuing running with a hastened pace.
The block sounds similar to that of dirt and stone. The person is struggling and haunting background noises are heard throughout the recording. Strange distorted noises that could be barking, wind blowing, or an enderman sound are heard near the end before abruptly stopping. One can hear a hissing noise akin to what would be expected at the end of an older shellac record at this point.
An upbeat remix of "Minecraft". This disc was originally named "where are we now". International Shipping. There's a problem loading this menu right now. Learn more about Amazon Prime. Get free delivery with Amazon Prime. Back to top. Get to Know Us. Amazon Payment Products. English Choose a language for shopping. Amazon Music Stream millions of songs. Amazon Advertising Find, attract, and engage customers.
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