You could do this track-by-track, or route all the background vocal channels to a bus. Take a look at the diagram below and notice how I created a subgroup mix bus for drums often times called a Drum bus. Each of the individual drums channels orange-colored tracks has been routed to output to Bus In turn, the Drum bus channel has been set to receive input on Bus All those individual drum channels mix down to a single stereo track for easier mixing.
Just like group buses, aux channels usually output to the master bus. Where they differ, however, is in their routing. Aux channels send a copy of the signal, rather than sending the complete signal like group buses do. Sending a copy allows you to maintain the original signal untouched, alongside your processed track, giving you independent control between the two signals. You could insert the reverb plug-in directly on the guitar track. It gets the job done. However, this method poses a few problems.
First, if you want to change the amount of reverb versus dry signal, you have to open the plug-in each time and readjust it inside the plug-in. Additionally, this method is also problematic if you want to apply the same reverb effect to multiple instruments.
I really think that might be the case. But nice. FWD: Halp! Would you like said advice? Email your questions to Katie. Katie Heaney is a writer and volunteer text message analyst living in Minneapolis. Using volume automation, a slight 3db boost can make that final syllable more audible, and perfect your vocal track. You can also use volume automation to feature some instruments in certain parts of the song, or to tame them. Be creative and use your shiny fancy effect plugins to make things interesting: maybe a slight chorus effect on the lead guitar in the 2nd verse might do the trick and make that verse stand out.
Maybe drop the bass completely on the first verse, to get the chorus to explode when you bring it back. Do whatever you feel is right for the song. It might be a subtle effect, panning automation, muting some tracks, or doubling others, distortion, whatever…. Add your stamp to the mix, your vibe, and feel. Get crazy not too much and make a killer track. This is how I approach mixing. Tell me about any differences, similarities, or if you just plain disagree with me on that.
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Us guitarist like hearing our guitar sound amazing in a mix. We want it to be the loudest instrument, and routinely have fights with our singers about what the main instrument in a song really is.
Is it the vocal? We like the mixing engineer to think about the guitar mixing first, the rest of the song second. I like my guitar lines as much as any guitarist does, but as a mixing engineer you have to be aware of all the elements of a track. Guitars have their character frequencies in middle frequencies. Their lower end sometimes competes with the bass guitar muddying up the track.
A good trick to get rid of this clash is to filter out the lowest frequencies of the guitar with a high pass filter EQ.
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