Sidewall hard and flat except for two large openings. Other sidewall has bookcase full of books and stuff very good. Front wall has chimney and mantle good. Back wall has staircase leading upstairs good. Similarly, assess the surfaces for absorptive materials:.
Front wall has drapes by windows good. Drapes are open revealing a lot of glass bad. Nothing but sheetrock on that ceiling bad. Thick carpet on the floor, with under padding very good. Large sofa in front of side wall good. By now you should be starting to get a sense of what good and bad sounding rooms consist of. If you want a great example of a bad sounding room, pick up any architectural magazine.
See that designer-look room with hardwood floors and nary a throw rug, minimalist furniture, expansive glass walls nice view and clean uncluttered walls? Bad acoustics, I guarantee it. So what can we do with our room to improve its acoustics, short of bringing in the wrecking crew and starting over? Add absorption. Purpose built audio absorbers are available but are frequently ugly and not the only solution. A large empty wall can have a rug hung on it.
I knew a person that collected oriental rugs. They didn't want to walk on the silk rugs in their collection so they hung a few on the walls. Hint: hide a layer of carpet backing behind it to further increase its absorptive properties. At least put a large area rug over the center of that hardwood floor. Put a thick pad underneath it. Drapes for the windows add a lot of absorption, especially if they are heavy or thickly lined. The Question 5. Hollow 6. The Cause 7. New World 8. Dark Side of Creation Raven Promised Land Chaos of Two Thousands Sweet Darkness Coincidenze 2.
Stazione 3. II 4. Frenetica dialettica dell'etica 5. Convoglio 6. Scambio 7. Binario Morto 8. Passeggero Abysse - I Am The Wolf Persuasion Architecture of Bones I am ready to be her son Frozen Flesh I will rise Blood to you all Heathen Foray - The Passage Fading Tree Northstar Winterking Fortress of Faith Chants Dragon's Eyes Ancient Secrets Wolkenbruch Theatre of Battle Helion Prime - Helion Prime Into the Alien Terrain The Drake Equation Life Finds a Way Into the Black Hole You Keep What You Kill Ocean of Time Moon-Watcher Apollo the Eagle Has Landed Live and Die on This Day.
A Day to Remember Deadhead Drop Zone Hide In Hell Misunderstand Mystery of Darkness Snake Eyes Walk with the Beast World War III. Rhine - An Outsider Dreaming Of Death The Spell Of Dark Water An Outsider Somewhere Paralyzed Dissolved In Fire Into The Unknown Shipwrecked In Stasis Unpure Romanticism Part 2 Drama Try Not to Breathe Heresy, Shadowsnight Magic of Eternal Dreaming Desire Kisses of Suffering Fearfimension Sue's Idol - Six Sick Senses Six Sick Senses DMO Halls of Mourning Scion Pariah Kill or Be Killed Luna Sees Metal Octane Gears of War Taste This Evil A Minor Requiem Lady Painted Death.
Mind Affliction - Into the Void Lucid Void Enjoy the Violence Sundraft Chaos Readings Madness Utopia Abandoned Armin's Hunger. Sage's Recital - The Winter Symphony Overture Shooting Star Kings of Old The Crystal Sword Queen of the Winter The Winter Symphony Etude Bonus Track. Rajfajh - Retribution Single Killing Addiction - Omega Factor Omega Factor 2. Equating the Trinity 3.
Nothing Remains 4. Dehumanized 5. Altered At Birth 6. Global Freezing 7. Necrosphere 8. Impaled Staleput Waiting Can't Be Eternal The Way for Freedom Heaven Is Empty Censored Dream Devaluation Of Consciousness Sestero signs with talent agent Iris Burton ; as he slowly accrues more acting credits and makes other friends, Wiseau grows jealous, schemes to earn similar acknowledgement such as earning an SAG card by producing and starring in a commercial for a company he himself owned , and threatens to evict him from the Los Angeles apartment he is loaning to him, leading Sestero to become uncomfortable with their relationship.
After viewing The Talented Mr. Ripley for the first time, Sestero is struck by how similar Wiseau is to the title character. However, when Wiseau also sees the film, instead of recognizing his own behavior, he is deeply impressed by it and becomes obsessed with creating a work just as emotionally powerful.
He subsequently disappears from Greg's life for nine months—during which their occasional phone calls frequently indicate that Wiseau had become depressed and suicidal —but he eventually returns to Los Angeles with a finished script for his film: The Room , which includes a character, Mark, named after Ripley actor Matt Damon whose name Wiseau had misremembered.
Backed by a seemingly endless, mysterious supply of money, Wiseau develops, produces, directs and stars in The Room , despite having no knowledge of filmmaking. On-set relationships are a disaster: the story itself is nonsensical and full of plot threads that are never addressed or resolved a matter complicated by Wiseau refusing to give anyone a full copy of the script ; Wiseau's camera set-up requires two crews to operate, actors and crew storm off the set, dialogue and blocking are constantly tweaked, sets are dismantled only to be rebuilt and re-shot the following day, and at the last possible moment, Wiseau convinces Sestero to play Mark in spite of the role already having been cast.
By the end of shooting, Sestero, along with the rest of the cast and crew, become convinced that the film will never be seen and lose their enthusiasm, resulting in lackluster performances, as well as technical and storytelling blunders that prove impossible to correct in post-production. The production also takes its toll on Sestero's relationship with his girlfriend, who breaks up with him after the Los Angeles portion of the shoot ends; as a means of lifting Sestero's morale, Wiseau writes additional scenes for them to perform during second unit filming in San Francisco, which runs considerably smoother.
These recollections are occasionally interspersed with "fantastical, sad, self-contradictory stories" about Wiseau's conflicted past, which apparently includes such experiences as being ridiculed for his interest in America while growing up in an unidentified Eastern Bloc country, being threatened with death by sadistic French policemen, and quietly progressing from a yo-yo and toy bird salesman to a retail and real estate tycoon, which serve to highlight his motivations for attempting to enter the film industry.
I was having a conversation with David Elliott from BEM recently, and he asked me if there were any bands in the back catalogue that I would be interested in reviewing, and one of those I requested was The Room.
I wasn't sure why, but knew that I had heard about them from somewhere, but for the life of me couldn't remember why. As soon as I started playing this it all came flooding back, as the man on vocals was Martin Wilson, ex-of Grey Lady Down, a band I saw many times back in the Nineties, and whose original demo I still have blackmail anyone? The line-up for this their second album is completed by Andy Rowe bass , Steve Checkley keyboards and Chris York drums.
This is music that hearkens back to the Nineties, when everyone involved in the UK progressive rock scene really felt that things were about to explode into the mainstream, as there were so many good bands that could be heard virtually every week in London.
GLD, as with many others before them, played at The Marquee with Jump as support on the night I saw them , yet as with most of the neo prog scene didn't make the leap into the big time. A large part of the album is neo-prog, although there are also strong melodic rock tendencies, and there has been a great deal of thought with the arrangements.
Steve is an interesting keyboard player, one that is prepared to solo when needed, or stay more in the background playing the perfect accompaniment, and that comes through particularly on songs such as 'As Crazy As It Seems', which is far more laid back than one might expect from a band like this.
There are lots of different influences in what they are doing, and perhaps it isn't surprising that GLD is one of these, but bands as diverse as Credo, Marillion and Magnum all have a part to play as well.
Martin's vocals are perfectly suited to this style of music and provide a significant point of difference, with emotion being very important indeed. This is a really solid piece of work, and I look forward to hearing more from The Room. The Room is a band that describes themselves as a melodic rock band, a description that is as revealing as it is confusing. It is clear that strong and compelling melodies is something of a central focus for the band though, so it is a fair description of what they are about even if not all that revealing.
Four Unusual Suspects - 1999 (Vinyl), Два Перстня - София Ротару - София Ротару (Vinyl, LP, Album), Ju-Ju-Man - Passport (2) - Infinity Machine (Vinyl, LP), Waar Blijft Het Raadsel - Renate Rubinstein - Liefst Verliefd (CD), Mark Trayle / Vinny Golia - Music For Electronics & Woodwinds (CD, Album), Rain - The Beatles - Rarities (Vinyl, LP), Pilvikalan Kyydissä - Uton - Kun Korallit Puhuvat Pilville (CDr, Album), Sandaya U Yee Nwe - The Spellbinding Piano Of Burma (CD, Album), Hard Times Blues - Eric Clapton - Clapton (CD, Album), Truth Between Errors Pt 2. - Truth Between Errors - Terminal Lovers - As Eyes Burn Clean (Vinyl, LP), Los Cadetes De Linares - Venganza Cumplida (Vinyl), Ron Spielman - Solution (CD, Album), Rondo in A Minor, K.511, Mujeres Y Vino - Manolo Escobar - 30 Aniversario (CD) Payback (Live) - Open Season - For The Loyal (CDr, Album)